This actually looks pretty good.

When the White House (Secret Service Code: “Olympus”) is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building. As our national security team scrambles to respond, they are forced to rely on Banning’s inside knowledge to help retake the White House, save the President, and avert an even bigger disaster.

In November, a journalist asked J.J. Abrams what seemed like an obvious question: Was he interested in directing the next Star Wars movie? Disney had just paid a whopping $4.05 billion to acquire George Lucas’ iconic Lucasfilm and had stated its intention to turn out new Star Wars films every two to three years beginning in 2015. The prolific Abrams, who had sparked the flagging Star Trek series in 2009, seemed a natural fit. But he quickly shot the idea down. While Star Wars was “the first movie that blew my mind in that way,” he said then, he wanted to focus on original…

Am I the only one on the planet that did not like this short? I think I may be judging from the gushing praise everyone has been pouring out on it since it debuted, and again now that it has come out online.

I thought it started out great, and I was really loving the whole thing with the guy trying to get the girl’s attention with the paper airplanes. Then it just got really weird and completely ruined it. It was as if there was cleverness and fun, and then they ran out of brainstorm and said, hey, let’s just have all those airplanes pull the couple together at the same place of their own…

But under the direction of journeyman filmmaker Taylor Hackford, who is an underrated visual stylist and has done everything from the top tier Stephen King adaptation “Dolores Claiborne” and lawyerly monster mash “The Devil’s Advocate” to earnest ‘80s tearjerkers like “An Officer and a Gentlemen” and “Against All Odds” to the Oscar honored “Ray,” “Parker” totally sags. It’s a visual muddle, indistinguishable from your average low-budget cop show and lacking in any kind of flair or dynamism (save for some “Panic Room”-ish title cards), which it should absolutely indulge in since in crime…

Father Parker, as we are introduced to him during his first robbery of the movie, is quite a devout criminal… with principles.

“Don’t steal from people that can’t afford it,” Parker tells us. “Don’t hurt people that don’t deserve it. …Most importantly, if you say you will do something and you don’t, I will make sure you regret it.”

What seems like a heavy-handed spin of the good-bad guy theme that’s popular in cult action films these days only get’s more ridiculous when Parker dawns a white ten-gallon cowboy hat and chases down the thugs that left him for dead to steal back what was…

Hey look, it’s another “Renner has a Boom Stick” film.

This one is a twist on a familiar fairytale, but for the most part you won’t recognize it. At first you might recognize elements of the original fairytale, with a few minor differences. But that’s just used as a backstory for the real tale of Hansel and Gretel: Witch Hunters.

While this story is squarely placed in the magical world of fantasy, it bears little resemblance to recent, highly rated fantasy films such as popular Marvel titles Thor, Captain America, The Avengers and the like. Or perhaps a more apt comparison would be to…

There’s not really anything new here, but this is Star Trek and I’m a Star Trek nerd (card carrying member) so I have to post it.

J.J. and a couple of the cast members talking about upping the ante and the like. J.J. thinks its the biggest things he’s done.

Well, this is a bit random, and leaves some questions to be answered but given the general lockdown surrounding anything involving Christopher Nolan, we’ll take what we can get at this point.

The first offiical image of Amy Adams as Lois Lane in “Man Of Steel” has arrived. No, we don’t know why the image, courtesy of Desde Hollywood is in black-and-white, but it does seem as if the Daily Planet has been outfitted with iPads. Will some of Zack Snyder’s film dip into black-and-white sections or if this just a bizarre decision on behalf of the international marketing team behind the…

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Fox has already put out a couple of very funny trailers for Paul Feig‘s The Heat, but you’ll want to hold your laughter for now. The picture has just been pushed back from April 5 to June 28, where it’ll face off against Universal’s Kick-Ass 2 and Columbia’s White House Down. That slot has traditionally been a good one for comedies; high grossers likeTed, Bad Teacher, and Grown Ups have all opened on that same weekend in recent years. The studio has already made it clear that it likes what Feig has delivered, so this date comes across as a vote of confidence.

Raise your hand if you…