Feminist Defense of MacFarlane

Feminist Defense of MacFarlane
She Wired

When the ratings came in, it was clear they’d made the right choice: Ratings were the highest in years and there was a 20% bump in the key demographic. Go Seth!

But another demographic was unhappy. Not just unhappy, but angry. A close friend sent me a blistering New Yorker column by Amy Davidson referring to MacFarlane’s “ugly, sexist, racist Oscars.”

Whoa! Did she see the same Oscars I did? Because the presentation I saw was a veritable paean to women. Women were showcased in a way I can’t recall men having been. What’s more, gay men were showcased too and it’s long been de rigeur in…

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Nolan to Take On ‘Justice League’ with Bale?

Nolan to Take On ‘Justice League’ with Bale?
The Playlist

In every interview he did last year—including our interview with him from December — Christopher Nolan maintained that his take on Bruce Wayne and Batman was over with “The Dark Knight Rises.” Now, however, Latino Review (via Forbes) is reporting that Warner Bros. —after possibly scrapping Will Beall’s draft—is in talks to get the secretive director on board for the future of their superhero slate with a little help from his friends.

“Well, I’m producing Superman now and I’m enjoying time off and taking a break” is what Nolan said last year when we asked him if he was done with…

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8 ‘Star Wars’ Prequel Lessons

8 ‘Star Wars’ Prequel Lessons
IGN

Lesson #1: Please Don’t Make it About Intergalactic Trade and Taxation Laws

This may come as a shock to any accountants out there, but very few of us want pretty much the first words we read when we sit down to watch a family-friendly adventure film to be, “The taxation of trade routes to outlying star systems is in dispute”.

You know what would have been a better subject for the Star Wars prequels? ABSOLUTELY ANYTHING. Anakin’s quest to “Bring Balance to the Force” by finding and confronting Darth Sidious. A mysterious virus decimating the Jedi. Hell, even an uprising staged by a…

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What to see: Weekend of March 1, 2013

What to see: Weekend of March 1, 2013

Hey, there’s actually something I want to see this weekend! Jack the Giant Slayer and I’m going to be really disappointed if it’s not any good! Don’t disappoint me Singer! Because really, there’s not much else in the box office at the moment.

New This Weekend

21 and Over - R
So, I’ve been seeing the preview for this around — and I would love to have those few minutes of my life back. Seriously, this looks so bad I don’t know how anyone could want to see this. Please don’t go see it.

Straight-A college student Jeff Chang has always done what he was supposed to do. But when his two…

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Is That Audrey Hepburn?

Is That Audrey Hepburn?

I have mixed feelings about this commercial.

My first thought was, “wow” as were my second and third thoughts actually.

Wow, you can barely tell she’s CGI.

Wow, you can tell she’s CGI.

Wow, this is so crass. The women is dead, let her rest in peace and stop commercializing her in death.

It’s sort of erie and spooky that we are this close though. I wonder how many people would see that without having any idea that it was CGI and think it’s CGI? My guess, not many. Watch it and let me know if anything stands out to you. I’ll let you watch it first then I’ll tell you what stands out…

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Time Warner Cable: “No Demand for Gigabit Internet”

Time Warner Cable: “No Demand for Gigabit Internet”
The Verge

Speaking at the Morgan Stanley Technology Conference, Time Warner Cable’s Chief Financial Officer Irene Esteves seemed dismissive of the impact Google Fiber is having on consumers. “We’re in the business of delivering what consumers want, and to stay a little ahead of what we think they will want,” she said when asked about the breakneck internet speeds delivered by Google’s young Kansas City network. “We just don’t see the need of delivering that to consumers.” Esteves seems to think business customers are more likely to need that level of throughput, and notes that Time Warner Cable is…

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‘Eden’ - Sex Slavery Drama

‘Eden’ - Sex Slavery Drama

I’ve been trying to figure out whether to post this or not. Sex trafficking is a big deal and needs to be dealt with and stopped. I’m behind that. But I’m not convinced a dramatic re-telling based on this true life story it is quite the right thing. Maybe a documentary would be more appropriate. On the other hand, I have no qualms with dramatic retellings of other horrendous things, and even think it a good thing (see my review of Downfall).

Perhaps I am balking at what I think may be the further exploitation of sex and young girls for the profit of the entertainment industry, under the…

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TRON: Legacy — Review

4 of 5 stars
TRON: Legacy

Perhaps the most unappreciated blockbuster success of 2010, Disney’s live action sci-fi/fantasy is a faithful continuation of the TRON franchise with returning cast members and filmmakers. It boasts state-of-the-art computer animation set in live action; a film rich with drama, low on clichés.

Let’s get one thing out of the way: I missed The Matrix craze.

My parents were very restrictive, so they wouldn’t dream of showing an R rated film to me as an adolescent. Since I was severed from a great number of science fictionals as a result, I started to explore the wonderful world of the…

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Remake the Prequels! (Pretty Please!)

Remake the Prequels! (Pretty Please!)
/Film

While George Lucas’ Prequel trilogy — Episode I: The Phantom Menace, Episode II :Attack of the Clones and Episode III: Revenge of the Sith – does have its supporters, I don’t think I’m going to get much argument when I say they were a massive disappointment. The movies are simply not that good. They’re technically impressive, with some great things about each of them, but overall the scripts are a major downgrade from the original trilogy.

How do we make this happen. How do we get the prequels remade properly? Let’s do it!

‘Jack the Giant Slayer’ Cost $185 Million

‘Jack the Giant Slayer’ Cost $185 Million
Entertainment Weekly

The movie, which will be distributed by Warner Bros, was financed for $185 million, according to its production house, New Line, though rumors persist that its budget actually ballooned to at least $200 million due to costly reshoots. (New Line and Warner Bros. — which like Entertainment Weekly, are owned by Time Warner — did not make anyone available for further comment.)

Okay first, what a ghastly sentence. There’s going to be a comma shortage if there are too many more sentences like that written!

But more to the point and topic at hand, $185 Million?!? I’m looking forward to this…

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